Artists:

 Hanna Noh

 Bomi Ahn

 Jungwon Lee

  Yeonjung Noh

  Yeen Jung

 Konus Kalamanda

 Donghoon Yi

[Performance 밤] : 9 February 19:00

Exhibition[Quadrivium] : 9 February 19:00 – 23 February

Arternative Space JungDaBang project   

Music + Food

37.516151,126.890743

Expanderrr’s missing in foto: Michael Schweiger, Dominik Leitner and Bomi Ahn.

The Open Containerrr project is physically over. We would like to give special thanks to Luger & Maul Architekten and Linzer Schutzengel Apotheke for letting us use this awesome space to hold our project.

Also very very special thanks in random order to Vesela Mihaylova, Martin Kaltenbrunner, Flavia Barandun, Michael Schweiger, Enrique Tomas, Theresa Gindlstrasser, Antonia Prohaska, Liesa Warum, Laura Mc Kinnon, Anna Moreno, Onur Sönmez, Miguel Jose Gonzalez Gonzalez, Monja Michetschläger, Costa Tonev, Stephan Roiss, Musentempel, Havi Navarro, Cesar Escudero Andaluz, Elisa Andessner, Verena Wazl, Christo Christoph, Tina from Time’s Up, Ushi from Servus.at, Christian from Nomaden Etappe and the nice girls who were making tea; for sharing your time, experiences and knowledge with us.

Thanks too to the Interface Culture Dept and “Exile Atelier” at Kollegiumgasse for loaning us lights and electric equipment, couch and chairs and holding neverending Expanderrr meetings!

More thanks to MISSING LINK, Lessingstraße 10, for holding our end party! As well as Jules & Jim, Dj J and GRAMPAUMBRA for such a nice evening; a gift.

Finally thank’s and greets to all those who dropped and joined the different lectures, workshops, our exhibition and party; sharing and collaborating with us, interacting and unfolding such interesting, indefinable and exciting results.

SEE YA NEXT YEAR!

EXPANDERRR

:)

Graphic by Havi Navarro.

TUESDAY 20th, 21pm, LESSINGSTRAßE 10; MISSING LINK.

LIVE: Jules & Jim, DJ Disco J, KONUS KALAMANDA & GRAMPAUMBRA

Parodierte Einlage über Casting-Show-Kultur und live gespielte Einladung zur selbigen.
Parody Performance about Casting-Show-Culture and live played Invitation of such. 

KünstlerInnen aller Sparten vereinigt euch!

You are very welcome to join our Open Pecha Kucha Night (Lighting talks about your project. 5 to 15 minutes talks).

If you want to present your project or works, please register at expanderrr@gmail.com

See ya at the CONTAINERRR!

Michael Schweiger (UfG / Expanderrr) / Enrique Tomas (servus.at) “Sound workshop”, Monday 20th, 11pm till when it ends is the right time

The Workshop is not yet closed in terms of topic, as the main approach of the whole project is relational art, the workshop will be devoted in terms of it’s directional setting to be open to be shaped, both, in terms of topics and goals and third in decision taking of the modus operandi. Short put, the participants will decide like a flock of birds the direction of the collaborative process according to  the needs and expectations of the participants and in respect of the limited given mains of production.

Fortunately Enrique Tomas (Quique), a member of servus.at, will participate at the workshop and will offer his ideas and knowldege too, what will enrich the workshop tremendously, as he is really offering a lot of expertise in various techniques and branches, both, of open source thougt and commitment and audio-arts.

He is involved in curation of Soundscape series of KAPU, cofounder together with laborlinz members of Sound map: at.escoitar.org, part of Labor Linz:  http://laborlinz.wordpress.com/
and never to forget member of servus campus, a constant space for workshops: http://core.servus.at/content/servus-campus-startet

Check  his site: www.ultranoise.es it will make you go for it!!!

MIchael Schweiger will provide the Soundstudio’s portable Studio, Mics and Recorders, some small speakers, one or two analog mixing desks and some piezo disks (yet prepared to use and some to be soldered and coated wirh liquid ruber) and some other mains for experiments, like breadboards and some circuit schematics and literature full of playful little basic experiments…

And of course both will share his approaches and ideas, as well as their love for audio works and audible experiments. They”d like to go for a group-work process leading to make the comtainer sound and interact with it’s surround. But this is merely a proposal.

OPEN CINEMA

SUNDAY 18th 19pm

BRING YOUR OWN MOVIES!

CONTAINERRR 1

Martin Kaltenbrunner, Professor at the Interface Culture Lab at the
University of Art and Design in Linz, will provide a brief introduction
into the various aspects of Free & Open Source licenses in the context
of Media Art.

PDF Presentation slides. Martin Kaltenbrunner

Audio from Lecture:

“A short look at the history of electr(on)ic music” / “Ein kurzer Blick auf die Geschichte der elektr(on)ischen Musik”

The Lecture tries to give a short glance on the development of electric and electronic music, definitely with no demand of completeness. The goal is to sketch some of the branches of the tree of emergence and development of both, electric and electronic music.

Die Lecture ist der Versuch ein paar Spots auf die Entwicklungen von elektrischer und elektronischer Musik zu setzen ohne jeden Anspruch auf Vollständigkeit. Das Ziel ist ein paar der Zweige des Entstehungs- und Enwicklungsprozesses sowohl von eletrischer und electronischer Musik zu skizzieren.

One focus will be put on background principles and technical as well as societal prerequesites which fostered these processes. Further one other focus will try to put the role of nationalist competition and war technologies as both, retrading as well as speeding up circumstances.

Ein Fokus wird dabei Hintergrundprinzipien der Technik und gesellschaftliche Rahmenbedingungen die die Enwicklung begünstigt haben gesetzt. Ein weiterer Fokus wird nationalistische Konkurrenz und Kriegstechnologien bzw. deren beschleunigende als auch bremsende Wirkung thematisieren.

Finally a highlight will be put on electronic music as a field of different speeds and width, one in the field of very scientific and even symbolic capital enriching developments in the public and/or state driven big radio stations, research labs , in the era of the famous experimental studios and a sceocnd in the field of glam rock, psychedlic music and not to forget “kraut rock”

Abschliessend wird elektronische Musik als Feld unterschiedlicher Geschwindigkeiten und Weiten thematisiert. Dabei wird es einerseits um die Zeit der staatlich und öffentlich finanizierten experimentellen (Radio)Studios gehen, die sowohl die wissenschaftlich als auch auf Ebene des Symbolischen Kapitals bereichernd wirkten und andererseits um Glam-Rock, psychedelische Musik und nicht zu vergessen “Kraut Rock”

The Lecture will provide some audible and visible material and I hope that it is possible to start a discussion on contemporary electronic music.

Hörbeispiele werden auch geboten und ich hoffe, dass sich eine Diskussion um und über elektronische Musik ergibt.

Audio Recording of the Lecture

Drawing by Cesar Escudero Andaluz

MARLON RANDOM   

“Every social relationship is mediated by artifacts or human elements intervene
decisively in the relationship …)”2.

So we face an interactive installation in which the user through of ludic-interface, hybrid
of tennis racket and computer keyboard, processes by random the information stored
in the computer, instant results in a fortuitous sequence of videos and sounds.

(2) TIRADO, Francisco. DOMÉNECH, Miquel. (2005) “Partnerships heterogeneous actants: The post-social turn of the theory of actor-network.” In Journal of Anthropology Aibrean Iberoamericana, Electronic Ed.

http://www.youtube.com/watch?v=EEpoMf53jNI&context=C2aa77ADOEgsToPDskIAGrYHBP6QGA9jFp-7Iin2
http://www.youtube.com/watch?v=WsNT-6lgm58&feature=related

As said the great protagonist of the relational N. Bourriaud, what can not be traded is
destined to disappear.

Cesar Escudero Andaluz

Michael Schweiger  “Sound Instalation”

Theresa Gindlstrasser

Elisa Andessner

„Shaking hands“

Ich halte ein Tablett voller leerer Gläser. Durch das Gewicht des Tabletts beginnen die Muskeln meiner Hände, Arme und später meiner Schultern, Vibrationen zu erzeugen, welche sich auf die Gläser übertragen. Diese Vibration der Gläser ezeugt Klänge - abhängig von der Position des Tabletts, ob ich es hoch, tief, nahe am Körper oder weit weg vom Körper halte, entstehen verschiedene Lautstärken und Töne.

Ich verwende die Gläser wie ein Musikinstrument. Mit der Zeit scheinen die Gläser immer mehr Eigenleben zu haben. Meine asymmetischen Körperhaltungen in Kombination mit den vielen leeren Gläsern verstärken für den/ die BetrachterIn das Gefühl von Unsicherheit und Angst, die Gläser würden jeden Moment fallen. Die Performance ist ein ausgeweiteter “Moment vor der Kathastrophe”.

Gezeigt bei:

ESC Graz 2007
Circus Revue Linz 2009
Navinki- Festival Minsk 2009

Verena Wazl

Christo Christoph